For the last 10 years I have been helping drummers to develop their drumming skills, so that they become advanced players and eventually get to the professional level of drumming. 

I was blessed to study at Berklee with 26 best drumming professors in the world. Legends like Ralph Petterson, Kim Plainfield, master drummers like Mike Mangini, Kenwood Dennard, Rod Morgenstein, Mark Walker, Dave Dicenso, Yoron Israel were my professors. After my 3rd year of studying, I was selected to win the most prestigious Avedis Zildjian award at Berklee which is given every year to the only one out of 900 drummers.

In my head, I have priceless knowledge and now I want to share that knowledge with you. I am going to teach you drumming skills and concepts, step by step, one by one.   

I do not show  youtube fills and grooves. I teach musical concepts, different directions of thinking so that drummers become best version of themselves on the drum set. 

I have one question for you, just think for yourself.

Have you ever watched instructional youtube video, or even better example, have you ever paid for monthly membership on some drumming website? 

Then, after you enrolled in all those lessons you felt so excited. You watched everything, you were so happy because you saw courses and got information from the best drummers in the world. You practiced, tracked your progress, and suddenly you lost motivation because you realized that you don’t sound like you expected. Why did that happen?

It is because real drumming does not work like that. Even though you got a tone of good information, you were most likely exposed to the only small unrelated fragments of the big drumming and music picture. What do I mean by that? For example, if I show you some good fills, grooves or solos, what are you going to do with that? Now you think that you can practice them, learn or play them. I can tell you that you are probably going into the wrong direction, because mine or anyone else’s grooves, fills and solos do not have anything to do with your playing, in your bend, with your musicians and with your real time musical situation.

Let’s look now at the same thing from another perspective. What if I show you concepts on how to CREATE grooves, how to CREATE fills, and how to CREATE solos and correspond to the music in different musical situations, on the spot, at that moment in a real time without thinking. You will become the drummer who will get attention of everyone around wherever you play. Maybe you think that it is not possible, but it is. You just have to practice totally different concepts that you are not aware of. You have to open your mind to different directions of perception, learn how to think divergently and convergently in music. These are the skills I learned and owned at Berklee, and that is why Berklee is the best music college on the planet and the reason why it costs over $200 000,00.